micro iPhono3 Black Label
iFi audio iPhone 3 BL

Beauty and Beast.

Hear every note.

For the record

Matt polished black. Super quiet noise floor.

Our phono stage circuitry uses only the best audiophile components. Computer matched op-amps, high-gain bi-polar output transistors to Nichicon audio-grade capacitors. And much more.

The iPhono3 Black Label sounds stellar. Hear into your LP.

Silent nights in

With a stunning, super-low 85dB noise floor (per Stereophile standard) the iPhono3 Black Label is out there. One of the quietest phono stages. Period.

Like any good phono stage, it amplifies the signal, not the noise. The whisper-quiet noise floor is there for any home audio system to discern. Take it for a test drive from the comfort of your favourite listening chair.

Exacting equalisation

Precise EQ curve and explosive 108dB dynamic range. Your listening room becomes a concert hall.

The AMR PH-77, the $12,000 larger sibling with 23 equalisation curves, remains the vinyl benchmark to this day. Trickle-down tech used in the iPhono3 Black Label means it features the 6 most popular stereo EQ curves.

Try the infamous 1812 Overture ‘torture test’. Won’t be the same again. The iPhono3 Black Label will have you trying ‘just one more LP’ into the wee, small hours.

iFi audio iPhone 3 BL

Set and forget

Your pickup (stylus) has been lovingly crafted. Whether it’s MM or MC, no two cartridges are identical in performance.

The iPhono3 Black Label, like the AMR PH-77 from which it descends, enables you to set the precise load/gain for the cartridge you have. Squeeze every last drop of performance out of your precious pickup.

Visit our iPhono Calculator to assist.

Set just once. Sit back. Enjoy.

Spec’d to thrill

Beneath the modest footprint of the iPhono 3 Black Label are Class A TubeState and DirectDrive Servoless technologies. Specially developed by AMR for iFi audio.

All underpinned by some quite special audiophile components from Burr-Brown, TDK and Nichicon. To name but a few.

With such dedicated circuitry and devoted components, it has a whisper-quiet noise floor and measured THD of an incredible <0.005%.

iFi audio iPhone 3 BL

 X-Men

The iPhono3 Black Label is special. It should be powered by something special.

It comes with the iPower X, the very latest in power supply technology.

iPhono3 Black Label + iPower X = Super Duo.

Majestic measurements

iPhono3 Black Label: ±0.2dB
$3,000 Phono: ±0.25dB

+/- 0.05dB

better channel matching

iPhono3 Black Label: 36-72dB
$3,000 Phono: 44dB-72dB

ultra-wide

perfect for every pickup

iPhono3 Black Label: 85dB
$3,000 Phono: 74dB

12x

quieter

iPhono3 Black Label: <0.005%
$3,000 Phono: <0.01%

2x

lower harmonic distortion

What is a phono stage?

A phono stage, also called a phono pre-amp, provides the connection between the record cartridge/pickup (stylus) and the amplifier.

Turntables cartridges output a very small signal. This signal needs amplifying up to several hundred times the original size before it is loud enough for your amplifier. A phono stage increases the signal level from millivolts to volts.

When vinyl was the standard for audio recording, the phono stage was built-in to receivers and amps, allowing direct connection of a turntable. These days most receivers and amps do not contain a phono stage so a separate unit is needed.

Computer-matched for max performance

Computer-matched complementary planar high gain bi-polar input transistor pairs.

Sound complicated? Basically, it’s a labour-intensive process which lowers input noise by 6dB. The measured noise floor (as per Stereophile) is 85dB on MC/MM which is quite phenomenal and means the iPhono3 Black Label can go toe-to-toe with other far costlier phono stages.

So, by using this computer matching method we get max performance out of our phono stage.

Equalisation or EQ Curve

An EQ curve simply works by allowing the user or LP manufacturer to boost or cut particular frequencies as they wish, and therefore ‘shape’ the character of the sound/tracks they are applying it to.

Most popular EQ curves

At the introduction of the Long Play record (LP) in 1948, most record companies implemented their own particular equalisation curves and continued to experiment with equalisation in order to extract the best performance from the new medium. This led to a baffling array of different and incompatible equalisation curves being applied worldwide.

The most popular are RIAA, Columbia, and DECCA.

See our Tech Note for more on the story on EQ curves.

MM or MC?

There are different kind of phono stages – MM, MC and MM/MC.

MM = Moving Magnet cartridges.   MC = Moving Coil cartridges.

On a MM cartridge, there is mounted a permanent magnet on the stylus cantilever. As the stylus traces the grooves, the magnet vibrates between two sets of fixed coils inside the cartridge. The moving (vibrating) magnet inside the fixed coils creates a tiny electromagnetic generator that produces the electrical music signal. The magnet move with the stylus.

On a MC cartridge, the coils are mounted on the stylus cantilever while the magnet is fixed. Here, the moving (vibrating) coils inside the fixed magnet form a tiny electromagnetic generator that produces the electrical music signal. The coils move with the stylus.

Pickup loading

The vast variety of pickups means that in order to obtain the best sound, a wide range of loading options are required.

Some low output pickups require substantial ‘loading down’ to suppress mechanical resonances in their structure, while some high output pickups require the correct load capacitance to form a resonance at the right frequency to extend the high-frequency response.

No ready standards exist and getting the best out of your pickup means optimising the loading, often directly by changing the loading and listening and doing it again and again. Often as little differences as a few Ohm can have a notable impact in getting the system to sound ‘just right’.

The iFi Phono Calculator

Easy as 1, 2, 3…

1. Visit our unique phono calculator here.

2. Input your cartridge specs.

3. Follow the dip switch positions.

Premium parts. Why?

Using premium part equals low ESR (Equivalent Series Resistance), lower noise, exceptional transients, deeper, tighter, punchier bass and all round fantastic linearity.

Just all round bigger and bolder sonics.

Total Harmonic Distortion (THD)

Distortion is the alteration of the original shape (or other characteristics) of something. In our case, this means the alteration of the waveform of an information-carrying signal, such as the audio signal representing sound.

Total Harmonic Distortion (THD) measures the harmonic distortion present in a signal. In audio systems, lower distortion means the components in a loudspeaker, amplifier or microphone or other equipment produce a more accurate reproduction of an audio recording.

So, the lower the THD in a phono stage, the better it is.

LP suggestions with the precise EQ curve

The following are some of our suggested LPs and the precise EQ curve:

The original Mercury Living Presence series (Decca FFSS, Decca FFRR EQ)

The original Deutsche Grammophone Classical records (Decca FFSS, Decca FFRR, CCIR EQ)

The original Miles Davis records (Columbia EQ)

Verve Jazz records, with performers like Charlie Parker, Count Basie, Ella Fitzgerald, Nina Simone and The Righteous Brothers etc. (Columbia & AES EQ)

The original Dave Brubeck Quartet records (Columbia EQ)

A significant number of the original stereo Decca (Europe) records (Decca FFSS, Decca FFRR EQ)

Rectify high-frequency roll-off and excessive phase shift of all, including Neumann and Western Electric vinyl cutting lathes (Enhanced RIAA EQ)

The labels on our list also issued many records based on the RIAA equalisation as well.

This list is far from comprehensive but sheds some light on how the magical performance of such coveted recordings needs the correct EQ curve.

Brand new power supply tech to power the iPhono3 Black Label.

iPower X. What’s not to love?

Nichion audio-grade capacitors, Panasonic OSCON/ECPU capacitors, MELF resistors, TDK C0G capacitors…the list goes on.

The iPhono3 Black Label is jam-packed.  Take a look at its internals. Read more here.

In the iPhono3 Black Label the unique DC-Infinity circuit boosts the circuits DC gain to approach infinity (it is approximately 1 trillion one million times one million; 1012).

Once the feedback loop is closed, this near-infinite DC gain cancels all offset voltages to deliver a direct-coupled output with 0V DC offset. The key to the DC-Infinity circuit is that it only changes the gain below approx. 0.01Hz, while leaving the AC behaviour of the circuit at higher frequencies unchanged, injecting neither noise nor distortion into the audio signal.

Any noise and distortion of the DC-Infinity circuit happens at the same signal level as the output signal and is by design around 100 times less than the noise and distortion of the actual amplifier circuit, so compared to the actual phono stage noise and distortion it effectively disappears.

Discover more.

Look, mum. No output coupling capacitor.

Direct Drive Servoless® is an important element of the audiophile experience, which is not visible in measurements but is quite audible.

Unlike a standard phono stage design, the iPhono3 Black Label continues the special design tradition of being direct coupled (i.e. no coupling capacitor) from cartridge to output and it does so without requiring a conventional DC servo.

Dig deeper.

Precisely match up LP equalisation!

Listen to vinyl recordings in the original and correct way. When so much is invested in an audio system, to leave out the final few percent of correctly matching the equalisation to the LP is almost sacrilege.

Our list of LP recommendations with their precise EQ curve will show you how using the correct EQ curve makes one heck of a difference! We reckon you probably have some of our picks in your collection.

Discover more about the history of recordings and EQ curves here.

The ‘magic’ of tubes from solid-state.

Our Class A TubeState® technology is the result of nearly four decades of research of our Chief Designer, Thorsten Loesch, on tube and transistor gear.

The key is not to add distortion, but to avoid certain types of distortion. Once it is understood that specific distortions are endemic to solid-state circuitry and are pernicious with respect to subjective sound quality, we eliminate these from solid-state circuitry, without adding on tube-like distortion and noise.

Read more in our Tech Note.

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Frequency Response10Hz – 100KHz (±0.3dB)
20Hz – 20kHz (±0.2dB)
Dynamic RangeMM (36dB): > 108dB (A-weighted)
MC (60dB): > 106dB (A-weighted)
Signal-to-Noise RatioMM (36dB): > 85dB (A-weighted re. 5mV)
MC (60dB): > 85dB (A-weighted re. 0.5mV)
Overload MarginMM (36dB): > 26dB (re. 5mV, @ 1% THD)
MC (60dB): > 22dB (re 0.5mV, @ 1% THD)
Crosstalk<-71dB (1KHz)
Maximum undistorted output7V (Load >= 600 Ohm, THD <=1%)
Total Harmonic Distortion (THD)<0.005% (MM 36dB 1V out 600R Load)
Output Impedance<100Ω
Input VoltageAC 100 – 240V, 50/60Hz
Power Consumption< 5W. Use with iPower X (15v) do NOT use any other power supply.
Dimensions6.2' x 2.3' x 1.1' / 158 x 58 x 28 mm
Weight0.58 lbs / 265 g

EQ goes further than any other phono pre I have!

“With the iPhono3 Black Label you are getting a dynamic range of 108db, that’s achievable by keeping the noise levels extremely low! EQ goes further than any other phono pre I have! It was very silent, the noise floor was extremely low!, the lowest that i’ve heard, picture an absolute black background basically. All the dynamics and details were handled very well and clean!”

Click here to watch the full review..

Matt Coykendall

(Click name to read original review)

Our Micro iPhono 3 BL shines again!

“With the iPhono3 Black Label you are getting a dynamic range of 108db, that’s achievable by keeping the noise levels extremely low! EQ goes further than any other phono pre I have! It was very silent, the noise floor was extremely low!, the lowest that I’ve heard, picture an absolute black background basically. All the dynamics and details were handled very well and clean!”

Click here to watch the full review..

Matt Coykendall

(Click name to read original review)

iFi iPhono 3 Black Label and Chord Electronics Huei Phonostages

Nice comparison from Drew Kalbach of the absolute sound.

the absolute sound

(Click name to read original review)

Recommended Reference Component: iFi Audio iPhono3 Black Label Phono Stage

“My first impression was that the iPhono3 was unbelievably silent. Though my Aqvox phono stage is fairly quiet, there’s a bit of hum when I turn the volume up. But with the iPhono3? Nothing. With it set to 60dB of gain, the noise floor was below that of my tubed preamp.”

“Jason found the iPhono3’s quietness to be “on a par” with the Constellation Audio Andromeda phono stage he reviewed last year. Which, as Jason pointed out, “retails for $19,900, or precisely 19.919919 times more than the iPhono3.”

“Unconditionally recommended” were the two words that Jason chose to conclude his iPhono3 Black Label review. These words, combined with his high praise in the review and its reasonable retail price, earned the iPhono3 a Reviewers’ Choice award when the review was published. But Jason continued to sing its praises to other SoundStage! Network reviewers, and when Doug Schneider listened to the iPhono3 in one of his systems he also found it to be outstanding. Finally, Jason’s subsequent purchase of the review sample for use in his own system convinced us that this small, affordable phono stage from iFi Audio deserves more recognition—so this month we are presenting the iPhono3 Black Label with a Recommended Reference Component award as well.”

Read the full review here…

SoundStage! HI-FI

(Click name to read original review)

iFi Audio iPhono3 Black Label Phono Stage

“my first impression was that the iPhono3 was unbelievably silent. Though my Aqvox phono stage is fairly quiet, there’s a bit of hum when I turn the volume up. But with the iPhono3? Nothing. With it set to 60dB of gain, the noise floor was below that of my tubed preamp. This is important: The tiny iPhono3 and its Power X wall wart were not only as quiet as my Aqvox, they were on a par with the Constellation Andromeda phono stage I reviewed last year. The Constellation retails for $19,900, or precisely 19.919919 times more than the iPhono3.”

Read the full review here…

SoundStage! HI-FI

(Click name to read original review)

Silent and musical

It is very small and that makes it can be placed in any space but the most outstanding is its sound. It’s fantastic.
Very musical, crisp and makes you feel a very real scene, as if you are with musicians and does not produce hearing fatigue.
Wonder.
The worst: it’s a little cumbersome to regulate it, it should be lighter and easy to use regulators with your fingers.

Amazon

(Click name to read original review)

iFi iPhono 3 Black Label Phono Stage

“There was a sense power in bottom end that I’d never heard from this LP before… Tried again with the iPhono2. Sounded beautiful, just like it always did. Switched back to the iPhono3 and, what can I say, it was like I was listening to a different pressing… It wasn’t just the bass, the iPhono3 was getting more of everything off that LP. It was like comparing a standard issue LP vs a super audiophile quality 180-gram edition.”

Positive Feedback

(Click name to read original review)

iFi Phono 3, el tamaño no importa

Watch the full review here…

YouTube

(Click name to read original review)

iFi’s iPhono 3 MM/MC Phono Preamplifier Takes A Giant Sonic Leap Forward

“I’d been auditioning the Gala Gold LE using the CH Precision P1/X1 ($50,000+) so was expecting a big letdown but I didn’t get one! ”

Click the link to read the full review.

Michael Fremer

(Click name to read original review)

iFi micro iPhono3, el nuevo estándar calidad-precio?

Watch the full video here…

YouTube

(Click name to read original review)

iFi iPhono3 Black Label Review

“With the iPhono3 Black Label, iFi has engineered another excellent sounding phono preamp that is both compact and incredibly versatile.”

“In every record I played on the iPhono3, I was experiencing new depths in my already much-loved albums. The iPhono3 passes the test, and I think should be considered one of the top phono stage competitors in the $800-1400 price bracket.”

Audiophilia

(Click name to read original review)

ifi iPhono3 Review

Watch it here:

YouTube

(Click name to read original review)